Issue 23 - Fall 2017 |
| Letters from the Editors |
|
| Csound 30: Report on the Conference to Celebrate 30 Years of Csounding |
Iain McCurdy |
| Building Csound based Systems for Real-time Chamber Music Performance: Part I |
Enrico Francioni |
| Robotune: An iOS Application built with Csound< |
Brian Carty and
Alan O'Sullivan |
| GLib Data Structures and Csound |
Jim Hearon |
| Using an SQLite database in Csound, Part I: Get scores and samples from a database and use them in Csound |
Richard van Bemmelen |
| Speed up your Csound workflow with Haskell: Introduction to Csound-expression |
Anton Kholomiov |
Issue 22 - Spring 2016 |
| Letters from the Editors |
|
Report on the 3rd International Csound Conference
St.Petersburg, 2nd-4th October 2015 |
Gleb G. Rogozinsky |
Live Coding with Csound
|
Hlödver Sigurdsson |
Interpreting Visual Phenomena using Csound
Part 2: The Stroboscopic Effect and Pendulum Waves |
Iain McCurdy |
| Exploring The Linear Algebra Opcodes |
Jim Hearon |
HTML GUIs for Android Csound6
A Tutorial in 14 Examples |
Art Hunkins |
Issue 21 - Fall 2015 |
| Letters from the Editors |
|
Interpreting Visual Phenomena using Csound
Part 1: Futile Movement |
Iain McCurdy |
Csound GUI for a Headless Raspberry Pi
Universal Graphical User Interface Running on a Python Flask Web Server |
Richard van Bemmelen |
| Handle Csound with a BCF2000 |
Olivier Baudouin |
| Synchronizing a Networked Csound Laptop Ensemble using OSC |
Russell Pinkston |
| Swing with Csound |
Jim Hearon |
ChuckSound
A Chugin for running Csound inside of ChucK |
Paul Batchelor |
| Alternative Csound Players and Composing Environments for Android |
Art Hunkins |
Issue 20 - Fall 2014
|
| Letters from the Editors |
|
Scoreless Csound
Running Csound from the Orchestra |
Victor Lazzarini |
| Android Devices as MIDI Controllers |
Art Hunkins |
| Csound and Music Expression |
Jim Hearon |
| OpenMusic: The Csound Connection |
Dave Phillips |
PWCsound
A Visual Composition Tool for the Csound Language
|
Giorgio Zucco |
Issue 19 - Winter 2014
|
| Letters from the Editors |
|
Using Python in Blue
Create Csound instruments and score with a few lines of code |
Richard van Bemmelen |
Csound's Binaural 3D-sound Opcodes
Example systems and applications for research and rehabilitation in the cognitive sciences |
Marte E. Roel Lesur
Sebastián Lelo de Larrea
|
Kaoss Droid
Building a touchpad synth with Android and Csound |
Brian W Redfern |
Csound synthesizers in muO
A bare bones introduction |
Stéphane Rollandin |
Interfacing Csound and Unity
Mapping visual and binaural 3D coordinates in virtual space |
Marte E. Roel Lesur |
| Grace, Scheme, and Csound |
Jim Hearon |
Issue 18 - Summer 2013
|
| Letters from the Editors |
|
Csound for Cage's Ryoanji
A possible solution for the Sound System |
Enrico Francioni |
| Interview with Jan Jacob Hofmann |
Steven Yi |
BeaglePi
An Introductory Guide to Csound on the BeagleBone
and the Raspberry Pi, as well other Linux-powered tinyware |
Paul Batchelor
Trev Wignall |
Csound Eurorack Module
Building an FM oscillator in the Eurorack format using Csound, a Raspberry Pi, and an Arduino Uno |
Andrew Ikenberry
Jason Lim |
| Csound and MusicXML |
Jim Hearon |
Issue 17 - Fall 2012
|
| Letters from the Editors |
|
Risset's Arpeggio
Composing Sound using Spectral Scans |
Reginald Bain |
| Composing in C++ |
Michael Gogins |
Live Csound
Using Csound as a Real-time application in Pd and CsoundQt |
Joachim Heintz |
| Interfacing Cscore Part II |
Jim Hearon |
| Introducing the Android CSD Player |
Brian Redfern |
| Creating Graphical User Interfaces for Csound using Quartz Composer |
Ed Costello |
Issue 16 - Winter 2012
|
| Letters from the Editors |
|
| Resonators Plug-in for Ableton |
Giorgio Zucco |
Hrtfearly and Hrtfreverb
New Opcodes for Binaural Spatialisation |
Brian Carty |
Routing audio and MIDI between Csound and a DAW
Setting up an audio/MIDI router with OSX's IAC driver, soundflower, and Logic |
Andreas Russo |
MultiBin
A Binaural Tool for the Audition of Multi-Channel Audio |
Brian Carty |
| Interfacing Cscore |
Jim Hearon |
Issue 15 - Summer 2011
|
| Letters from the Editors |
|
Integrating Csound with Usine
through the Csound API
csound4usine |
Martin Eastwood |
| Csound API & GNU |
Jim Hearon |
| Phrase Loops: A Beginner's Guide |
Jim Aikin |
Microcsound
a plain-text score language and interactive real-time Csound front-end for microtonalists
(and others) |
Aaron Krister Johnson |
Shaping Envelopes Interactively
an apercu of the Surmulot framework |
Stéphane Rollandin |
| Circumspectral Sound Diffusion with Csound
|
Peiman Khosravi |
Issue 14 - Winter 2011
|
| Letters from the Editors |
|
| Csound on the Workbench |
Jim Hearon |
Pseudo-Stereo Techniques
Csound Implementations
|
Andrés Cabrera |
| Real-time Coding Using the Python API: Score Events |
François Pinot |
| Integrating Csound with Ableton Live
|
Dougall Irving |
Issue 13 - Spring 2010
|
| Letters from the Editors |
|
| Basic Lua with Csound |
Jim Hearon |
| Using the Signal Flow Graph Opcodes |
Michael Gogins |
| Emulating MIDI-based Studio Setups with Csound |
Steven Yi |
Working With Strings As Arrays in Csound
Designing a Sub-Language with the String Opcodes |
Joachim Heintz |
SOLO_MV_10.1
Solo Multiversion for Stockhausen's Solo [N.19] |
Enrico Francioni |
Add_Synth
F-Table Based Additive Synthesizer |
Jacob Joaquin |
Issue 12 - Winter 2010
|
| Letters from the Editors |
|
| Implementing Frequency Warping |
Peiman Khosravi |
| Cross Frequency Modulation |
François Pinot |
Tuning Your MIDI Keyboard
Playing with user-controllable scales in Csound |
Joachim Heintz |
| A User Approach to Sample Replacement |
Jim Hearon |
GEN Instruments
Methods for Designing Function Table Routines |
Jacob Joaquin |
Issue 11 - Summer 2009
|
| Letters from the Editors |
|
Distortion Synthesis:
A tutorial with Csound examples |
Victor Lazzarini |
| Integrating Csound with Eclipse |
Lewis Berman and Keith Gallagher |
| A Beginner's Guide to Volume Envelopes in Csound |
Jack Langmead |
| Processing and csnd.jar |
Jim Hearon |
Making Beats with Blue
Digital Dance Music with Csound and Blue |
Brian W. Redfern |
Issue 10 - Winter 2009 |
| Letters from the Editors |
|
| An Overview of Csound Variable Types |
Andrés Cabrera |
| Composing With Csound In AVSynthesis |
Dave Phillips |
| Basic Analog Synthesizer Designs |
Jim Hearon |
| The Two Worlds of Csound |
Jim Bates |
| My Search for the Perfect MIDI Controller |
Art Hunkins |
Hacking with csndsugui and Sugar
Building Csound GUIs for the OLPC
|
Brian Redfern |
Issue 9 - Summer 2008 |
| Letters from the Editors |
|
| Python at the Control Rate: athenaCL Generators as Csound Signals |
Christopher Ariza |
| hrtfmove, hrtfstat, hrtfmove2: Using the New HRTF Opcodes |
Brian Carty |
| A Simple NetBeans Java Frontend Application |
Jim Hearon |
| An Interview with Jean-Luc Sinclair(aka Jean-Luc Cohen) |
Steven Yi |
| Using Emacs and Csound-x as a Csound IDE: Part I |
Pedro Kröger |
| Flutes in Orbit |
Brian Redfern |
| A minimal realtime algorithmic system: "Barebones" |
Øyvind Brandtsegg |
| Marginalia: Designing a sound installation using Csound |
Richard Bowers |
| Working with the terminal in OSX:
An absolute beginner's guide |
Jean-Luc Cohen-Sinclair |
Issue 8 - Spring 2008 |
| Letters from the Editors |
|
| Realtime Csound in Windows: A Personal Journey |
Art Hunkins |
| Live Flute Synthesis with Linux and Csound5 |
Brian Redfern |
| Managing Csound Compositions with GNU Make |
Pedro Kröger |
| Aspects of Sahnsi and Polos in Balinese Gamelan Instruments |
Akito Van Troyer and Jim Hearon |
| dseq: A Drum Machine Micro-Language |
Jacob Joaquin |
Issue 7 - Fall 2007 |
| Letters from the Editors |
|
| Csound at the Toronto Electroacoustic Symposium 2007
| Jim Hearon |
On the Design of Spectral Tools in Blue
A compositional account of working with Victor Lazzarini's PVS opcodes and Blue
| Peiman Khosravi |
| Command Line FX Processing
| Jacob Joaquin |
The Wiimote and Csound
Beginning Steps to OSC communication between a Wii Remote
and Csound utilizing the Windows application GlovePIE
| Mark Jamerson |
Managing Projects with Mercurial
Using Source Code Management software to version and archive
your Csound work
| Steven Yi |
Issue 6 - Spring 2007 |
| Letters from the Editors |
|
Aspects of Bandlimiting
|
James Hearon |
Developing LADSPA Plugins with Csound
|
Victor Lazzarini and Rory Walsh |
Using Python Inside Csound
An introduction to the Python
opcodes |
Andrés Cabrera |
Perl and Csound - Part 2
|
Jacob Joaquin |
Issue 5 - Winter 2007 |
| Letters from the Editors |
|
A Pure Data Break Point Function patch
| James Hearon |
Thoughts and Experiences with The Flyndre: An Interview with Øyvind Brandstegg
| Steven Yi |
HPKComposer
A Csound 5.0 based Audio Video Composition Tool
| Jean-Pierre Lemoine |
| Perl and Csound - Part I
| Jacob Joaquin |
Volume 1 Issue 4 - Summer 2006 |
| Letters from the Editors
|
|
Hearing
Audio Quality in Csound
View Original PDF Version of this
Article |
Michael Gogins |
| Control Flow -
Part II |
Steven Yi |
| The Ubiquitous Slider
Demo |
James Hearon |
| Developing standalone applications using the Csound Host API and wxWidgets |
Rory Walsh |
Volume 1 Issue 3 - Spring 2006 |
| Letters from the Editors
|
|
| Meet the
Csound 5 Developers |
Anthony Kozar |
| Tour of
Oscillators |
James Hearon |
A Sound Server
Approach to Programming in Csound
Part 2 - An Example Application Using the Csound API
|
Øyvind Brandtsegg |
| Control Flow - Part
I |
Steven Yi |
Volume 1 Issue 2 - Winter 2006
|
| Letter from the Editor
|
Victor Lazzarini |
| What is
Csound5? |
James Hearon |
| Sounds Electric
05 |
|
|
Sounds Electric 05
|
Fergal Dowling
Victor Lazzarini |
Csound 5: The Design, The
Outcome, The Experience
PDF Slides
from his presentation at Sounds Electric '05 |
John ffitch |
TclCsound
A Csound Frontend and Tcl/Tk
Wrapper |
Victor Lazzarini |
Strings Music
Model
Composing with Csound and Strings
Formulas |
Adalberto Andres Vidal |
|
RAViC Real-Time Audio
Visualisation in Csound5
Plugin Opcodes for time- and
frequency-domain
representations of audio
signals
|
Simon Schampijer |
Introducing
PVSPITCH:
A Pitch Tracking Opcode for Csound |
Alan O
Cinneide |
| Techniques |
|
Creating
Encapsulated Instruments in Csound5
|
Steven Yi |
Volume 1 Issue 1 - Fall 2005
|
| Letters from the
Editors |
|
| What a Newbie Wants,
What a Newbie Needs |
Pam Covert |
Growing Music
with Computer-Generated Sound
An Interview with Composer Frances White |
Anthony Kozar |
| Exploring Tied Notes in
Csound |
Steven Yi |
A Sound Server
Approach to Programming in Csound
Part 1 - General Principles |
Øyvind Brandtsegg |
Csound Magazine Article Index
|
Summer 2002 |
| Editorial |
Hans Mikelson |
| Classic Waveshapes and Spectra |
Reginald Bain |
| Harmonic Trees |
Jacob T. Joaquin |
| Linux RH7, Win2K |
Michael Rhoades |
| Developing a fully featured multieffects unit in Csound |
Josep M Comajuncosas |
| Simulating hard sync in csound |
Hans Mikelson |
| The 10-Minute Guide to Installing Cecilia for Linux |
Dave Philips |
Winter 2002
|
| Editorial |
Hans Mikelson |
| Features |
|
| Getting Started With Csound |
Jason Thomas |
| Working With Csound |
Matthew Thies |
| CsoundMax |
Joo Won Park |
| Sampling |
Hans Mikelson |
Summer 2001
|
| Editorial |
Hans Mikelson |
| Columns |
|
| News |
Hans Mikelson |
| Features |
|
| Talisman IV |
Jeffrey Hall |
| Real-Time Instrument Design: Creating the Schnackertronics Phrase Looper In Csound |
Glen Ianaro |
| Controlling FOG parameters in realtime using DirectCsound |
Richard Bowers |
| GeoMaestro & Csound:
An introduction to the Compositor tool |
Stéphane Rollandin |
| Csound Random Generators |
Rasmus Ekman |
| Simple Instrument/Complex Score: The Creation of Composition Zeta (section three) |
Michael Rhoades |
Winter 2001
|
| Guest Editorial |
Michael Rhoades |
| Columns |
|
| News |
Hans Mikelson |
| Synthesis: More Csound Drums |
Hans Mikelson |
| Features |
|
| Modernizing Csound |
Michael Gogins |
| Csound : From the acoustical compiler to the sound synthesis ecosystem |
Kevin Dahan |
| Using PMask |
Hans Mikelson |
Summer 2000
|
| Editorial |
Hans Mikelson |
| Columns |
|
| News |
Hans Mikelson |
| Beginners: Noise, Beautiful Noise |
Hans Mikelson |
| Internals: Interpolation |
Hans Mikelson |
| Processing: An Efficient, Precise Frequency Shifter |
Jens Groh |
Spring 2000
|
| Editorial |
Hans Mikelson |
| Columns |
|
| Orchestra and Score of the Week |
Hans Mikelson |
| Beginners: Filtering |
Hans Mikelson |
| Synthesis: Terrain Mapping with Dynamic Surfaces |
Hans Mikelson |
| Processing: Pitch and Time Scaling |
Hans Mikelson |
| Real-Time: A Real-Time CSound Orchestra |
Richard Bowers |
| Features |
|
| Csound Program Flow |
Rasmus Ekman |
| Espace des Cloches |
Jeff Harrington |
Winter 2000
|
| Editorial |
Hans Mikelson |
| Columns |
|
| Orchestra and Score of the Week |
Hans Mikelson |
| Beginners: Simple Sample Input |
Hans Mikelson |
| Synthesis: Granular Synthesis |
Hans Mikelson |
| Processing: More Delays |
Hans Mikelson |
| Real-Time: Bird Calls |
Hans Mikelson |
Autumn 1999
|
| Editorial |
Hans Mikelson |
| Columns |
|
| Beginners: Panorama |
Hans Mikelson |
| Synthesis: Csound Drums |
Hans Mikelson |
| Processing: Multiple Feedback Reverbs |
Hans Mikelson |
| Real-Time: Csound Meets Keykit |
Hans Mikelson |
| Features |
|
| Csound Implementation of Physical Models of Woodwind Instruments |
Josep Mª Comajuncosas Nebot |
Summer 1999
|
| Editorial |
Hans Mikelson |
| Columns |
|
| Beginners: Envelopes |
Hans Mikelson |
| Synthesis: Sound Generation with the Julia Set |
Hans Mikelson |
| Processing: Delay |
Hans Mikelson |
| Real-Time: Using Midi Sequencers with Csound |
Hans Mikelson |
| Features |
|
| Using AXCsound |
Michael Gogins |
| Csound Composition: Approaches,Attitudes, and Style |
Michael Rhoades |
| Using CMask in ecological modeling |
Damián Keller |
Spring 1999
|
| Editorial |
Hans Mikelson |
| Columns |
|
| Beginners: Oscillators |
Hans Mikelson |
| Synthesis: Parametric Equation Oscillators |
Hans Mikelson |
| Processing: The Talk-Box and Formant Filtering |
Hans Mikelson |
| Real-Time: Real-Time Analog Modeling |
Hans Mikelson |
| Internals: Adding Opcodes to Csound |
Hans Mikelson |
| Features |
|
| Anything2Score: A Guide for the Perplexed |
Dave Philips |
| Depletion in Within: Randomly extracting values from a table |
Grant Chu Covell |
Winter 1999
|
| Editorial |
Hans Mikelson |
| Announcements |
Hans Mikelson |
| Columns |
|
| Beginners: A Beginners Look at Csound |
Hans Mikelson |
| Synthesis: Implementing Cellular Automatas in Csound, with some musical applications |
Josep M Comajuncosas |
| Processing: Hyperbolic Tangent Distortion |
Hans Mikelson |
| Real-Time: Direct Csound Information and FAQ |
Gabriel Maldonado |
| Internals: A Practical Guide to Compiling Csound |
Hans Mikelson |
| Features |
|
| Perception of Tone Sequences and Pitch Paradoxes: A Digital Synthesis Laboratory |
Luca Pavan |